But I’m always willing to hear what they have to say,” Adames said. Hopefully we can, and we can make it happen. “ At the end of the day, have to put everything together and see if we can work something out. Adames is arbitration-controlled through the 2024 season, and given the Brewers’ payroll limitations, it remain to be seen how many (if any) of such notables as Adames, Corbin Burnes, or Brandon Woodruff could be possible extension candidates. “ I love it here, I feel good here, I feel comfortable here and I wish I could stay here the rest of my career,” Willy Adames told Todd Rosiak of the Milwaukee Journal Sentinel and other reporters about his time with the Brewers.Here’s some more from around the NL Central…
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Louis is able to extend the series tonight. With this is mind, it’s fair to consider Helsley as a question mark for Game 3, if St. The right-hander said he doesn’t have much feel (particularly on breaking pitches) as the ball is leaving his hand. The issue contributed to a nightmarish breakdown, as Helsley was charged with four of the six runs the Cards surrendered in the ninth inning of the 6-3 loss to the Phillies.Īn MRI didn’t reveal any damage, and Helsley told Jones and other media members that he’ll try to stimulate more blood flow in his fingers via laser therapy. The decision is related to workload rather than a physical setback, as while Helsley left yesterday’s game with numbness in his right fingers. Ryan Helsley won’t pitch in Game 2 of the Wild Card Series today, Cardinals manager Oliver Marmol told reporters (including Jeff Jones of the Belleville News-Democrat).
His signature sound - fusing rock, jazz, blues, soul, Latin idioms, multi-cultural genres and more- is as unique as it is instantly identifiable. He magnificently embodies both "old school" virtuosity and "new school" cool, continually reaching successive new generations of fans with his passionate music. Now exceeding 25 million in sales, Supernatural's citations included Album of the Year and Record of the Year for the smash single "Smooth." Well into his fourth decade of recording and performing, Carlos Santana is at the pinnacle of his career, more vital and relevant than ever. He has won ten GRAMMY Awards, including a record tying nine for a single project for his 36th album, the blockbuster 1999 disc Supernatural. Carlos and company emerged as giants of the era-defining Bay Area music scene of the late '60s, and their fame grew far beyond its parameters while their artistry remained true to its free-flying spirit.Ī member of the Rock and Roll Hall of Fame, Santana has sold more than 90 million records, and performed to over 100 million people globally. A few years later, he formed the Santana Blues Band there, and the cool, soulful riffs and rhythms of his Latin-blues based sound found an audience eager for his innovative musical ideas. In 1961, Carlos made the crossing himself, moving from his native Mexico to San Francisco.
Having evolved and expanded for over four decades, the "Carlos" sound could well be on its way to becoming interplanetary music.
A visionary artist with no regards for genre boundaries, Carlos' fluid sound long ago laid claim to the concept of "world music" before the term ever surfaced on pop culture radar. Carlos Santana has been reinventing and reshaping the landscape of the known universe's musical culture for close to four decades.
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